Jen Rose reflects on the power of storytelling and CMY’s journey
We sat down with Jen Rose to unpack the journey of the award-winning CMY history project, explore the power of storytelling, the process of documenting our 35 years of impact, and how oral histories can shape a more inclusive future.
What initially sparked your interest in historical research and storytelling?
It started in high school. What struck me was becoming aware of the reality of dispossession of First Nations people. It made me realise how important it is to have a strong understanding of our past if we are going to understand our contemporary society. It also made we realise how critical the stories we share about our past play in creating a fair society.
This sparked a passion that influenced my university choices – I pursued an arts degree and later a Master of Public History. At that time, in the 1990s, there were contentious and quite political discussions about frontier violence and the way history was written, and I was fascinated by how historical storytelling could shape our community’s understanding of itself.
“We need to share our past in ways that are inclusive and honest, because that can contribute to building a more just community.”
Can you share the process you followed to research and develop content for CMY’s history project?
It was a big process! We started with background research – scoping CMY’s archives, accessing public records, and drawing on past research. We identified people to interview, prepared for those interviews, and adapted our approach depending on the individual. For young people, we used existing relationships to connect and made sure their participation felt accessible and safe. Post-interviews, the process was the same for everyone: we reviewed audio clips, sought consent for use, and carefully managed privacy considerations.
We also worked on the design and development of the website, reviewed all the audio for use in a short film, and collaborated with contractors for edits. It was a lot, but step by step, we managed.
What were the most memorable stories you came across while compiling CMY’s history?
One standout was the early work by second-generation migrant youth workers in the 1980s. They pushed for a social justice approach to multiculturalism and developed innovative methods driven by their experiences and networks.
Another powerful moment was Carmel and Roger’s story about receiving a death threat—an insight into the backlash faced while advocating for change. The project also revealed how much had changed over 35 years and how some issues still demand vigilance and proactive responses.
What challenges did you face during the project, and how did you overcome them?
The enormity of the task was the biggest challenge. How do you do justice to such a massive story? I think we overcame it by taking the time to get it right. CMY was flexible with deadlines, which allowed us to produce something comprehensive and meaningful.
Why is storytelling, especially oral history, important for organisations like CMY?
Oral history is critical because it captures the voices at the heart of community organisations. Annual reports and meeting minutes serve a purpose, but they don’t tell the whole story. Oral testimonies provide a richer, more accessible narrative that resonates deeply.
How do you think the recognition of this project can inspire similar initiatives?
Recognition is important because it broadens the project’s reach and sets a benchmark for other similar organisations wanting to document their history. I hope it inspires more storytelling projects that bring together historians, filmmakers, and volunteers.
“These projects can do more than celebrate milestones – they capture institutional knowledge, enhance onboarding processes, and contribute to the broader social history of Victoria.”
Any advice for those documenting their history?
Plan ahead and give yourself plenty of time. Be honest, even about uncomfortable truths, and think beyond the output. Consider how the process itself can add value to your organisation. It’s also worth thinking early about archiving materials in ways that are sustainable and valuable for others in the future.
Anything else you’d like to add?
Just a big thank you to CMY for the opportunity. It was a valuable experience that informed my PhD work, and I’m grateful for the chance to be part of it.
Jen Rose and Lynh Nguyen from CMY with the Oral History Australia’s Media Award where Jen was named the joint winner for 2024.
Judges comments:
This project tells an organisation’s history but also successfully contextualises this within broader histories of multiculturalism, social justice and advocacy, and diversity and inclusion in Australia. The creator and CMY have really thought about their target audience of younger people, giving them a fun, immersive way to explore the history of CMY in a way that connects with current issues and contemporary needs. The site clearly communicates their core values which are based on a human rights approach.
The interface provides a range of entry points to the timeline, depending on interest, and allows the user to explore at their own pace. This website contains an enormous depth of material and is also a valuable resource for historical research. Oral history is used throughout and results in the website being an effective and respectful medium of communication.
Visit the CMY history website: history.cmy.net.au